On January 20th, BBC America is finally committed to showing Star Trek: Deep Space Nine. Time to dive in and appreciate it.
In 1987, original programming on syndicated tv was a wasteland. There were tons of reruns of Gilligan’s Island but not much in the way of new product. Enter Star Trek: The Next Generation. Us Star Trek fans were STARVED for new Trek. We would gladly take anything. ANYTHING. So when we got two over all crap seasons with Picard, Data and Worf with a few real wonderful episodes scattered throughout, we hung on and as of season 3, they brought up their game and all in all, it was a really good show. But several years later, a better Trek show started. It was called Deep Space Nine.
This was January of ’93 and the previously barren syndicated landscape was now jam packed with a TON of shows, in which DS9 was the latest drop of water into this ocean. It wasn’t even the only show about a space station! Right along side of it was Babylon 5, by JMS (famous writer whose name I never get right).
I like to give shows a chance, so I watched the pilot for both shows, as space stuff like this is usually my thing. B5 was boring, amateurish and even with the nice effects, it looked cheap and the characterization was hollow. DS9, on the other hand was more solid, interesting and even with the religious overtones added in–not to be preachy by any means but to add more conflict–it seemed a lot more solid all the way around and it also had the added advantage of the familiar Star Trek trappings. So I stuck with it.
Now admittedly, the first two seasons of DS9 had their slow moments too but they were still much much better than the first two years of TNG. Plus, the foundations for quite a few momentous and spectacular storylines were laid in those first two seasons. We were introduced to characters who would just get better and better as their personal stories grew and they evolved. There were a few characters I actively disliked at the beginning, yet I grew to love them as the seasons went by, just because of the superlative writing mixed with their acting.
And conflict, yes there was. The thing is, Gene Roddenberry envisioned that in the far flung future, all humanity had evolved above and beyond all prejudice, materialism, the need for money, etc. The crew of the Enterprise in TNG was the nicest around, all the time. Almost never a harsh word spoken. That, along with the endless conference meetings made for some bland stories. Not so on DS9. On that space station, you had flawed, real humans from Starfleet living with the extremely religious Bajorans, the greedy, latinum loving Ferengi, the fascist Cardassians and whatever other alien species moved in, though or out of the station.
The basic thrust of the series is that disillusioned Starfleet Commander Benjamin Sisko accepts a backwater posting at the very edge of the Alpha quadrant, taking his young son Jake with him as he continues to drift through life after the death of his wife three years earlier at Wolf 359, where Starfleet got its ass kicked by the Borg. The space station itself is of Cardassian design, left behind when they pulled out of Bajor, in orbit below, after a 50 year occupation. So Starfleet moved in to help out the now recovering Bajor and has to make do with the station, warts and all. It might seem a somewhat sedate posting out in the middle of nowhere until miraculously, a wormhole appears nearby. What’s more, it’s a stable wormhole that leads to the Gamma quadrant of space. Basically, going through the wormhole is a 60,000 light year short cut. Suddenly, this sleepy, backwater station on the outer frontier of space is perhaps the most economically and strategically important spot anywhere in the known cosmos.
Aside from Cmdr. Sisko and Jake, you had Miles O’Brien, transferring over from TNG to basically get the wrecked station Starfleet ready, bringing his wife Keiko and daughter Molly with him. Major Kira Nyris, the hot headed second in command of the station and former Bajoran resistance fighter against the Cardassians during the occupation. The headstrong and verbose Dr. Julian Bashir, a brilliant doctor who craves the frontier medicine aspect of it all. Security chief Odo, a shape shifter and seemingly the only one of his kind. Odo’s “nemesis”, Quark, the scheming Ferengi bar owner, his dopey brother Rom and Rom’s delinquent son Nog. You also had Lt. Jadzia Dax, a young woman from Trill in her 20’s who was a brilliant scientist but also the host for a 300 year old symbiont who had 7 other hosts before Jadzia, who now had all the memories and knowledge of all of them. There was Gul Dukat, the former Cardassian prefect of the station who came around to be a general asshole and pain in the ass too. Vedek Wynn, a duplicitous Bajoran cleric and another pain in Sisko’s ass who would routinely kill you with passive aggression. And Garak, a Cardassian tailor, who’d been exiled from his home planet for some reason. All brilliant characters, wonderfully written and inhabited by fantastic actors. The *least* of these characters proved to be every bit as alive and fantastic and fleshed out as the *most* important character in any other Trek series, including TOS.
The writers really did go where no man had gone before in the way they built the relationships, the stories, the epic multi-part stories, the over arching, world changing themes, you name it. If you’ve never watched show, treat yourself. Let them establish what they need to in the first season. It all pays off. There are a few clunkers in the first season and then maybe one or two the next but it’s rare. You’ll be glad you stuck through it, because the thing IS.




